Meet the Monotype Studio.
This custom-designed font family, Alibaba Sans, will help partners and customers power on-brand designs.
Hearst Media has dozens of iconic titles. Learn how Monotype helped them evolve to meet the demands of a growing digital audience by offering more design flexibility and freedom.
Monotype worked with noted illustrator Sir Quentin Blake and his team to recreate his handwriting as a bespoke typeface.
The Studio team
Tom Foley is a Creative Type Director for Monotype, and in his role, is responsible for leading a team of type designers creating fonts for the Monotype Library and corporate brands. Words and letters are in Tom’s blood - his great-grandfather was from a family of stonemasons that specialized in letter carving, and his uncle was a sign painter.
Phil is a Creative Type Director and type designer with many years of experience in the design and engineering of fonts for global brands. Working in collaboration with design studios and global clients, Phil understands the creative and business needs of brands looking to build continuity with type.
Creative Type Director Akira Kobayashi has three decades of experience, with an extensive background in Japanese typeface design and a deep understanding of calligraphy. After studying at Musashino Art University in Tokyo for four years, Akira Kobayashi accepted his first job at phototypesetting manufacturer Sha-Ken Co., where he was involved in the lengthy and intricate process of designing Japanese fonts.
Charles Nix is a Creative Type Director, designer, typographer and educator. He designed a number of popular typefaces in the Monotype Library, including Walbaum and Hope Sans, which received a Certificate of Typographic Excellence in the 22nd Annual Type Directors Club Typeface Design Competition. He’s also designed custom typefaces for Google Noto, Progressive Insurance and the Philadelphia Museum of Art.
Tom Rickner is a Creative Type Director with a career in type that spans more than three decades. During that time, he has mastered nearly every aspect of type design and font production, from his earliest days editing bitmaps, to designing some of the very first Multiple Master fonts for Adobe and TrueType GX Variations fonts for the Font Bureau and Apple.
Born in Cyprus, Monotype Creative Type Director Emilios Theofanous, has a soft spot for quality Greek and multilingual typography. Since joining Monotype, he has worked on multiple custom and Library projects. Prior joining Monotype, he collaborated with international foundries and contributed to large-scale projects such as Source Serif Greek Italic for Google Fonts and Adobe.
Sara Soskolne is a Creative Type Director and designer. As a reformed bookworm, her deepest inspiration as a typeface designer is the experience of reading, and her abiding interest is in creating typefaces which not only serve but enrich that experience. Originally a graphic designer, Sara’s increasing fascination with type eventually drew her to study typeface design at the University of Reading in the UK, and then to practice it at Hoefler&Co.
Ryota Doi is a Type Designer for Monotype. Ryota first became interested in type as a design student while at university in Japan. After receiving his BA in design from Tokyo University of the Arts, he enrolled in the MA typeface design program at the prestigious University of Reading, where he studied the differences between Japanese and Latin type.
Colin is an advanced font engineer based in New York. He is a graduate of the Type and Media masters program at the Koninklijke Academie van Beeldende Kunsten (KABK) and the Maryland Institute College of Art (MICA) undergraduate program before that. Over the past decade as a type designer, he has lectured and taught workshops at the Atelier National de Recherche Typographique, the Cooper Union, MICA, and the Letterform Archive. He teaches a course in font production for the [email protected] Extended Program.
Robin Hui joined Monotype Hong Kong as a type designer in 1988. He is currently the Chief Typographer and Production Manager of Monotype Hong Kong, responsible for a wide variety of type design and technology projects, including compression, hinting and rendering control of typefaces across different platforms. Before joining Monotype, he worked 10 years as a professional typesetter where Robin gained experience in how type is used effectively, while also developing a strong passion for Chinese typography.
As an Advanced Font Engineer for Monotype, Marianna Paszkowska supports type designers and customers by ensuring fonts look and perform as intended. Having discovered a passion for type while studying graphic design at the Academy of Fine Arts in Gdańsk, Marianna refined her skills at a post-graduate course in type in Warsaw.
Juan Villanueva is a Type Designer at the Monotype Studio in New York City. His contributions to the Monotype Library include designs such as Walbaum and Sagrantino. He’s worked on custom typefaces for clients including Tencent Sans, Ricky Zoom, and multiple Google Noto fonts.
As a Creative Type Director in the Monotype Studio, Terrance Weinzierl has been creating and modifying typefaces for the Monotype Library and a wide range of brands since 2008. In addition to working on custom projects for PBS, Microsoft, Google, Barnes & Noble, Domino’s and SAP, he’s designed type for video games, professional sports teams and auto manufacturers.
Jordan Bell is a letterer and type designer at Monotype. He is fascinated by handwriting and its effect on modern type design as well as early American typefounding. Originally from Texas, Jordan received a BFA from Abilene Christian University and then worked as a graphic designer in Santa Fe, NM before attending the MATD program at University of Reading in the UK to further his knowledge in design history, graphic communication, and typeface design.
Studio expertise and thought leadership.
Fonts are more than a pretty face. Underneath their polished surface is an intricate array of data and functionality that few people ever see. Yet this hidden world is integral to the reliability, performance and appearance of a font.
Out of all the thousands of fonts in the world, handwriting fonts are a category unto themselves. But even within that seemingly narrow niche, there is a range of styles that reflects the variations and subtle differences found in actual handwriting.